Olick, J.K. “Introduction.” In The Politics of Regret: On Collective Memory and Historical Responsibility, 3-16. New York: Routledge, 2013. https://doi.org/10.4324/9780203941478 In this book, Olick explores the…
Khandaker, Tamara, host. Wait, There’s More (podcast). June 2020. https://open.spotify.com/episode/5pcPQnpnQBaxvjRi679Ozx?si=a8ecae5588af48fb. This podcast, recorded at the height of the Black Lives Matter (BLM)…
Pettiford, Jordan, host. UnTextbooked (podcast). October 2021. https://open.spotify.com/episode/3IWRSJ0ncakV3YRhSfxLgY?si=44f1cac3cc9d4c11 This podcast explores the grassroots activism which protested the prejudiced…
Dumont, Marilyn. Canada: Brick Books, 1996. Marilyn Dumont’s poetry collection, A Really Good Brown Girl, reads as a journey from internalised shame to pride in Métis identity. The coming-of-age text, a combination of…
Vogel, B. et al. Third World Quarterly 41, no. 12 (2020): 1248-68 This article discusses the role of graffiti in conflict-affected areas, and how graffiti can be a lens to view peacebuilding efforts. Through four core…
Setka, Stella. Jewish Film & New Media volume 3 no. 2 (Fall 2015), pp. 141-169. This article details how Inglourious Basterds (2009) examines political art and its relationship to history and historiography. Stella…
McEvoy-Levy, Siobhan. International Journal of Peace Studies 17, no. 2 (2012): 1–32. Defining public space as a sociospatial construct, this journal article analyzes the relationship between placemaking and…
Butler, Judith. London: Verso, 2021. Summary In this book, Butler explores nonviolence as a central, and necessary, tool in the struggle for social equality. Butler emphasises nonviolence as a ethical – and political –…
Reinisch, Dieter. Critical studies on terrorism 13, no. 4 (2020): 702-723. In this article, Reinisch examines the motivations and ideology of teenagers and young adults involved in dissident republican activity with a…
Parfitt, Richard. In Musical culture and the spirit of Irish nationalism, 1848–1972. 59-79. Routledge, 2019. In this chapter, Richard Parfitt examines the use of music by different nationalist factions in Ireland…