Cooke, Adeline. 2019. This thesis focuses on the way that participatory videos (PV) can be adapted and used by grassroots communities to have their voices in peacebuilding heard. This thesis is part of the greater We…
Taylor, Anita. 1987. Looks at the work and general overview of a particular Women’s Canadian Film studio (Studio D) which makes films for inciting peace. Highlights the importance of film and narratives as a way to…
Lehner, Stephanie. 2013. in The Irish Review 47, 100–117. Focuses on the form that peace narratives take in a post-troubles Northern Ireland film. In particular, notes the way that class plays into this healing…
Igreja, Victor M. F. 2015. in Current Anthropology, 56 (5): 678- 700. This article examines the phenomenon of informal video houses showing action films with scenes of violence to young people in Gorongosa, a district…
Qureshi, Bilal. 2018. in Film Quarterly, 72 (2): 67-70. The incorporation of previously marginalized segments of the population into film has allowed for the development of cinema as a discipline and art to tackle new…
Coulthard, Lisa. 2007. in Interrogating Postfeminism. An exploration of how Tarantino’s Kill Bill, failed to challenge the dominant patriarchal, capitalist ideology using violence carried out by a female protagonist…
Slocum, David J. 2000. In Social Research, 67 (3): 649-681. An analysis of the political nature of violence in Hollywood as a recurring theme in times of national crisis. The article argues for the coexistence of the…
Casey, Haskins. 2001. in The Journal of Aesthetics and Arts Criticism, 59 (4): 373-384. Haskins explores the multitude of approaches and of interpretations of art by reviewing Beningni’s ‘Life is Beautiful’ from an…
Maurizio, Siano. 1999. in Jewish Social Studies, 5 (3). Viano addresses the debate generated by ‘Life is Beautiful’ regarding what constitutes adequate treatment and respect towards serious topics such as the…
Cocks, Geoffrey. 2010. in Shofar, 28 (4): 72-85. An investigation into Kubrick’s Middle- European origins, filmmaking style and choice of sources to explore his resent of the Holocaust as a topic for his films. The…